Hamlet and Emotions

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Formátum: könyv
Nyelv:angol
Megjelenés: Cham : : Springer International Publishing : : Imprint: Palgrave Macmillan,, 2019
Kiadás:1st ed. 2019
Sorozat:Palgrave Shakespeare Studies
Tárgyszavak:
Online elérés:https://doi.org/10.1007/978-3-030-03795-6
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collection e-book
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EUL01
spelling Hamlet and Emotions edited by Paul Megna, Bríd Phillips, R.S. White
1st ed. 2019
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019
XXV, 347 p. 4 ill. online forrás
szöveg txt rdacontent
számítógépes c rdamedia
távoli hozzáférés cr rdacarrier
szövegfájl PDF rda
Palgrave Shakespeare Studies
1. ‘Prologue to the omen coming on’ - Robert White -- 2.‘in a dream of passion’: Introducing Hamlet and Emotion - Paul Megna and Bríd Phillips -- Part I: ‘Between who?’: Influences and Inter-Texts -- 3. Hamlet and Tragic Emotion - Indira Ghose -- 4.A Conjuration of Patrick: A Legacy of Doubt and Imagining in Hamlet - Michael D. Barbezat -- 5. Fear and Wonder: Shakespeare’s Ghost in the Fireside Tradition - Catherine Belsey -- 6. ‘For by the image of my cause, I see / The portraiture of his’: Hamlet and the Imitation of Emotion - Richard Meek -- 7. ‘Each subtlest passion, with her source and spring’: Hamlet, Sejanus and the Concealment of Emotion - Jane Rickard -- Part II: ‘I know not “seems”’: Expression and Sensation -- 8. Hamlet’s Tears - Dympna Callaghan -- 9. Hamlet’s ‘Spendthrift Sigh’: Emotional Breathing on and off the Stage - Naya Tsentourou -- 10. ‘Eyes without feeling, feeling without sight’: The Sense of Sight in Hamlet - Bríd Phillips -- Part III: ‘this quintessence of dust’: Character -- 11. Horatio as Author: Storytelling and Stoic Tragedy in Hamlet - Jeffrey R. Wilson -- 12. ‘A king of shreds and patches’: Claudius, Clothes, Feeling - Lisa Hopkins -- 13. ‘Something After?’: Hamlet and Dread - Bradley Irish -- Part IV: ‘Remember me’: Performance and Adaptation -- 14. Misremembering Hamlet at Elsinore- Kathryn Prince -- 15. ‘Speech falters speech flinches when horror lifts a fist to it’: Action, Emotion, and Inertia in Three Hamlet Variations - Stephen Chinna -- 16. Shakespeare’s Hamlet and Stoppard’s Guildenstern Leap between Un-Existentialist Anguish and Un-Absurdist Happiness - Paul Megna -- 17. Horatio: Loyal Friend of Hamlet and Nutshell - Robert White.
This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
Nyomtatott kiadás: ISBN 9783030037949
Nyomtatott kiadás: ISBN 9783030037963
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e-book
könyv
Literature, Modern
Shakespeare, William 1564-1616
Emotions
Theater History
elektronikus könyv
Megna, Paul szerk.
Phillips, Bríd szerk.
White, R.S. szerk.
SpringerLink (Online service) közreadó testület
Online változat https://doi.org/10.1007/978-3-030-03795-6
EUL01
language English
format Book
author2 Megna, Paul, szerk.
Phillips, Bríd, szerk.
White, R.S., szerk.
author_facet Megna, Paul, szerk.
Phillips, Bríd, szerk.
White, R.S., szerk.
SpringerLink (Online service), közreadó testület
author_corporate SpringerLink (Online service), közreadó testület
author_sort Megna, Paul
title Hamlet and Emotions
spellingShingle Hamlet and Emotions
Palgrave Shakespeare Studies
Literature, Modern
Shakespeare, William (1564-1616)
Emotions
Theater -- History
elektronikus könyv
title_short Hamlet and Emotions
title_full Hamlet and Emotions edited by Paul Megna, Bríd Phillips, R.S. White
title_fullStr Hamlet and Emotions edited by Paul Megna, Bríd Phillips, R.S. White
title_full_unstemmed Hamlet and Emotions edited by Paul Megna, Bríd Phillips, R.S. White
title_auth Hamlet and Emotions
title_sort hamlet and emotions
series Palgrave Shakespeare Studies
series2 Palgrave Shakespeare Studies
publishDate 2019
publishDateSort 2019
physical XXV, 347 p. 4 ill. : online forrás
edition 1st ed. 2019
isbn 978-3-030-03795-6
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR2877-2879
callnumber-raw E-book
callnumber-search E-book
topic Literature, Modern
Shakespeare, William (1564-1616)
Emotions
Theater -- History
elektronikus könyv
topic_facet Literature, Modern
Shakespeare, William (1564-1616)
Emotions
Theater -- History
elektronikus könyv
Literature, Modern
Emotions
Theater
History
url https://doi.org/10.1007/978-3-030-03795-6
illustrated Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 822 - English drama
dewey-full 822.33
dewey-sort 3822.33
dewey-raw 822.33
dewey-search 822.33
first_indexed 2023-12-27T13:11:57Z
last_indexed 2023-12-29T19:57:41Z
recordtype opac
publisher Cham : : Springer International Publishing : : Imprint: Palgrave Macmillan,
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score 13,365292
generalnotes This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.