Basic Music Technology : An Introduction

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Formátum: könyv
Nyelv:angol
Megjelenés: Cham : Springer International Publishing, 2018
Sorozat:Computational Music Science, ISSN 1868-0305
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Online elérés:http://doi.org/10.1007/978-3-030-00982-3
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spelling Basic Music Technology An Introduction by Guerino Mazzola fet al.]
Cham Springer International Publishing 2018
X, 200 p. online forrás
szöveg txt rdacontent
számítógépes c rdamedia
távoli hozzáférés cr rdacarrier
szövegfájl PDF rda
Computational Music Science 1868-0305.
Introduction and Ontology -- Acoustic Reality -- Electromagnetic Encoding of Music: Hardware and Software -- Musical Instrument Digital Interface (MIDI) -- Software Environments for MIDI and Audio -- Global Music.-References.-Index.
This is an introduction to basic music technology, including acoustics for sound production and analysis, Fourier, frequency modulation, wavelets, and physical modeling and a classification of musical instruments and sound spaces for tuning and counterpoint. The acoustical theory is applied to its implementation in analogue and digital technology, including a detailed discussion of Fast Fourier Transform and MP3 compression. Beyond acoustics, the book discusses important symbolic sound event representation and software as typically realized by MIDI and denotator formalisms. The concluding chapters deal with globalization of music on the Internet, referring to iTunes, Spotify and similar environments. The book will be valuable for students of music, music informatics, and sound engineering.
Nyomtatott kiadás: ISBN 9783030009816
Nyomtatott kiadás: ISBN 9783030009830
Az e-könyvek a teljes ELTE IP-tartományon belül online elérhetők.
könyv
e-book
Information systems EUL10001086662 Y
Music. EUL10000067019 Y
elektronikus könyv
Mazzola, Guerino Tft. EUL10001024812 Y
SpringerLink (Online service) közreadó testület
Computational Music Science EUL10001017212 Y
Online változat http://doi.org/10.1007/978-3-030-00982-3
Cham Springer International Publishing Imprint: Springer 2018
EUL01
language English
format Book
author2 Mazzola, Guerino, Tft.
author_facet Mazzola, Guerino, Tft.
SpringerLink (Online service), közreadó testület
author_corporate SpringerLink (Online service), közreadó testület
author_sort Mazzola, Guerino
title Basic Music Technology : An Introduction
spellingShingle Basic Music Technology : An Introduction
Computational Music Science, ISSN 1868-0305.
Information systems
Music.
elektronikus könyv
title_sub An Introduction
title_short Basic Music Technology
title_full Basic Music Technology An Introduction by Guerino Mazzola fet al.]
title_fullStr Basic Music Technology An Introduction by Guerino Mazzola fet al.]
title_full_unstemmed Basic Music Technology An Introduction by Guerino Mazzola fet al.]
title_auth Basic Music Technology An Introduction
title_sort basic music technology an introduction
series Computational Music Science, ISSN 1868-0305.
series2 Computational Music Science
publishDate 2018
publishDateSort 2018
physical X, 200 p. : online forrás
isbn 978-3-030-00982-3
issn 1868-0305.
callnumber-first N - Fine Arts
callnumber-subject NX - Arts in General
callnumber-label NX260
callnumber-raw 15025
callnumber-search 15025
topic Information systems
Music.
elektronikus könyv
topic_facet Information systems
Music.
elektronikus könyv
Information systems
Music.
url http://doi.org/10.1007/978-3-030-00982-3
illustrated Illustrated
dewey-hundreds 000 - Computer science, information & general works
dewey-tens 000 - Computer science, knowledge & systems
dewey-ones 004 - Data processing & computer science
dewey-full 004
dewey-sort 14
dewey-raw 004
dewey-search 004
first_indexed 2023-12-27T21:54:27Z
last_indexed 2023-12-30T21:17:05Z
recordtype opac
publisher Cham : Springer International Publishing
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score 13,375789
generalnotes This is an introduction to basic music technology, including acoustics for sound production and analysis, Fourier, frequency modulation, wavelets, and physical modeling and a classification of musical instruments and sound spaces for tuning and counterpoint. The acoustical theory is applied to its implementation in analogue and digital technology, including a detailed discussion of Fast Fourier Transform and MP3 compression. Beyond acoustics, the book discusses important symbolic sound event representation and software as typically realized by MIDI and denotator formalisms. The concluding chapters deal with globalization of music on the Internet, referring to iTunes, Spotify and similar environments. The book will be valuable for students of music, music informatics, and sound engineering.