The Theological Turn in Contemporary Gothic Fiction : : Holy Ghosts
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| Testületi szerző: | |
| Különgyűjtemény: | e-book |
| Formátum: | könyv |
| Nyelv: | angol |
| Megjelenés: |
Cham : : Springer International Publishing : : Imprint: Palgrave Macmillan,,
2018
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| Kiadás: | 1st ed. 2018 |
| Tárgyszavak: | |
| Online elérés: | https://doi.org/10.1007/978-3-319-96571-0 |
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| 082 | 0 | 4 | |a 809 |2 23 |
| 100 | 1 | |a Marsden, Simon | |
| 245 | 1 | 4 | |a The Theological Turn in Contemporary Gothic Fiction : |b Holy Ghosts |c by Simon Marsden |
| 250 | |a 1st ed. 2018 | ||
| 260 | |a Cham : |b Springer International Publishing : |b Imprint: Palgrave Macmillan, |c 2018 | ||
| 300 | |a VIII, 210 p. |b online forrás | ||
| 336 | |a szöveg |b txt |2 rdacontent | ||
| 337 | |a számítógépes |b c |2 rdamedia | ||
| 338 | |a távoli hozzáférés |b cr |2 rdacarrier | ||
| 347 | |a szövegfájl |b PDF |2 rda | ||
| 505 | 0 | |a 1. Introduction: Spectres of the Sacred -- 2. Gothic Heresies -- 3. 'There were some stains that could not be removed': Adam Nevill and the Stain of Sin -- 4. Much Ado About Nothing: Peter Straub and Privation -- 5. William Peter Blatty and the Presence of the Absent Christ -- 6. 'Time to let go of all the old things': Justin Cronin's Radically Orthodox Christology -- 7. Sympathy for the Devil: Gothic Goes to Hell -- 8. The Sense of No Ending: (Re)Reading the Apocalyptic Stephen King -- 9. Conclusion: The Gothic Sacred.<conclusion: the="" fear="" of="" god.-="" bibliography -- . | |
| 520 | |a This study examines theological themes and resonances in post-1970 Gothic fiction. It argues that contemporary Gothic is not simply a secularised genre, but rather one that engages creatively – and often subversively – with theological texts and traditions. This creative engagement is reflected in Gothic fiction’s exploration of theological concepts including sin and evil, Christology and the messianic, resurrection, eschatology and apocalypse. Through readings of fiction by Gothic and horror writers including Stephen King, Joyce Carol Oates, Peter Straub, William Peter Blatty and others, this book demonstrates that Christianity continues to haunt the Gothic imagination and that the genre’s openness to the mysterious, numinous and non-rational opens space in which to explore religious beliefs and experiences less easily accessible to more overtly realist forms of representation. The book offers a new perspective on contemporary Gothic fiction that will be of interest to students and scholars of contemporary Gothic and of the relationship between literature and religion more generally. | ||
| 580 | |a Nyomtatott kiadás: ISBN 9783319965703 | ||
| 580 | |a Nyomtatott kiadás: ISBN 9783319965727 | ||
| 580 | |a Nyomtatott kiadás: ISBN 9783030072155 | ||
| 506 | |a Az e-könyvek a teljes ELTE IP-tartományon belül online elérhetők. | ||
| 598 | |a könyv | ||
| 595 | |a e-book | ||
| 650 | 0 | |a Literature, Modern |y 20th century | |
| 650 | 0 | |a Film genres | |
| 650 | 0 | 4 | |a modern irodalom |
| 653 | |a elektronikus könyv | ||
| 710 | 2 | |a SpringerLink (Online service) |e közreadó testület | |
| 856 | 4 | 0 | |y Online változat |u https://doi.org/10.1007/978-3-319-96571-0 |
| 850 | |a B2 | ||
| 264 | 1 | |a Cham : |b Springer International Publishing : |b Imprint: Palgrave Macmillan, |c 2018 | |