The Topos of Music II: Performance : Theory, Software, and Case Studies
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| Main Author: | |
|---|---|
| Other Authors: | |
| Special Collection: | E-Book |
| Format: | Book |
| Language: | English |
| Published: |
Cham : Springer International Publishing,
2017
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| Edition: | 2. ed. |
| Series: | Computational Music Science, ISSN 1868-0305 |
| Subjects: | |
| Online Access: | https://doi.org/10.1007/978-3-319-64444-8 |
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| 020 | |a 978-3-319-64444-8 | ||
| 024 | 7 | |a 10.1007/978-3-319-64444-8 |2 doi | |
| 040 | |a Springer |b hun |c ELTE | ||
| 041 | 0 | |a eng | |
| 080 | |a 780.0519 |2 23 | ||
| 100 | 1 | |a Mazzola, Guerino | |
| 245 | 1 | 4 | |a The Topos of Music II: Performance |b Theory, Software, and Case Studies |c by Guerino Mazzola |
| 250 | |a 2. ed. | ||
| 260 | |a Cham |b Springer International Publishing |c 2017 | ||
| 300 | |a XLVII, 408 p. |b ill. | ||
| 336 | |a szöveg |b txt |2 rdacontent | ||
| 337 | |a számítógépes |b c |2 rdamedia | ||
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| 347 | |a szövegfájl |b PDF |2 rda | ||
| 490 | 1 | |a Computational Music Science |x 1868-0305 | |
| 505 | 0 | |a Preface to the Second Edition -- Preface -- Part VIII Structure Theory of Performance.- Part IX Expressive Semantics.- Part X RUBATO.- Part XI Statistics of Analysis and Performance.- Part XII Inverse Performance Theory.- Part XIII Operationalization of Poiesis.- Part XIV String Quartet Theory.- Part XXIV References and Index. | |
| 520 | |a This is the second volume of the second edition of the now classic book “The Topos of Music”. The author explains his theory of musical performance, developed in the language of differential geometry, introducing performance vector fields that generalize tempo and intonation. The author also shows how Rubato, a software platform for composition, analysis, and performance, allows an experimental evaluation of principles of expressive performance theories. | ||
| 580 | |a Nyomtatott kiadás: ISBN 9783319644431 | ||
| 580 | |a Nyomtatott kiadás: ISBN 9783319644455 | ||
| 506 | |a Az e-könyvek a teljes ELTE IP-tartományon belül online elérhetők. | ||
| 598 | |a könyv | ||
| 595 | |a e-book | ||
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| 650 | 0 | 4 | |a harmónia |x matematikai modellezés |
| 650 | 0 | |a Computer science. | |
| 650 | 0 | |a Music. | |
| 650 | 0 | |a Information systems. | |
| 650 | 0 | |a Performing arts. | |
| 650 | 1 | 4 | |a Mathematics in Music. |0 http://scigraph.springernature.com/things/product-market-codes/M33000 |
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| 650 | 2 | 4 | |a Computer Appl. in Arts and Humanities. |0 http://scigraph.springernature.com/things/product-market-codes/I23036 |
| 650 | 2 | 4 | |a Performing Arts. |0 http://scigraph.springernature.com/things/product-market-codes/415030 |
| 650 | 2 | 4 | |a Creativity and Arts Education. |0 http://scigraph.springernature.com/things/product-market-codes/O11000 |
| 653 | |a elektronikus könyv | ||
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| 830 | 0 | |a Computational Music Science, |x 1868-0305 | |
| 850 | |a B2 | ||
| 856 | 4 | 0 | |y Online változat |u https://doi.org/10.1007/978-3-319-64444-8 |
| 264 | 1 | |a Cham |b Springer International Publishing |b Imprint: Springer |c 2017 | |